Monthly Archives: August 2022

Ownership Matters with Elias Crim PGE 73



My continuing interest in making you aware, my dear listeners, of alternatives to the growth economies of various free market capitalisms and state socialisms/communisms, I have focused to this point on Ecological or Steady State economics. In this episode I branch out and introduce you to the numerous efforts being called the solidarity economy. To do this, I have as my guest, Elias Crim. Elias provides a broad and general overview of many of the concepts and practices involved with this emerging economy. Hopefully, future episodes will look more in depth at specific approaches.

Elias earned his undergraduate degree from The University of Texas at Austin and his M.A. from University of California, Berkeley. He is a founder of Solidarity Hall, a group blog which focuses on alternative economics, the co-host with Pete Davis of the podcast, Dorothy’s Place, named in memory and honor of Catholic political activist, Dorothy Day, and founding editor of Ownership Matters, a newsletter that focuses on the emerging landscape around impact investing, racial equity, and the solidarity economy.

The intro and outro music for this episode is from a clip of a song called ‘Father Let Your Kingdom Come’ which is found on The Porter’s Gate Worship Project Work Songs album and is used by permission by The Porter’s Gate Worship Project.


Poet Dr. Mischa Willett Interview PGE 72



My guest for this episode is Dr. Mischa Willett.

Dr. Willett is the author of two critically-acclaimed books of poetry: The Elegy Beta and Phases, and is editor of Philip James Bailey’s epic Festus. He teaches in the English Department at Seattle Pacific University and in its MFA program in Creative Writing. He is a specialist in British Literature of the Nineteenth-Century, particularly the poetry of writers such as William Wordsworth, Percy Shelley, and Samuel Taylor Coleridge, though he often teaches Shakespeare and the History of Drama as well. Recently, his interest in the aesthetic movements of the period has caused him to engage the curious school of poets known as the “Spasmodics.”

As a Christian, scholar, and poet/artist, Mischa is here to share with us his poetry, his insights, and how he understands the integration of his faith, work, and art.

The intro and outro music for this episode is from a clip of a song called ‘Father Let Your Kingdom Come’ which is found on The Porter’s Gate Worship Project Work Songs album and is used by permission by The Porter’s Gate Worship Project.