Monthly Archives: April 2022

Interview with Lyricist Mel Bringle and Composer Sally Ann Morris PGE 64



This episode is part of one of my ongoing series I call “Christian Music Not Played On Christian Radio.” The purpose of the series is heighten awareness that although traditional Christian music may no longer be the dominant music style experienced in Christian Churches in the United States, the composition of new music in the traditional forms of hymns and anthems is thriving.

In this episode we get the pleasure of experiencing the fruit of a long and wonderful partnership between lyricist, Dr. Mary Louise, ‘Mel,’ Bringle and composer Sally Ann Morris. Much of their music is intended for congregational singing. They share with us a smidgen of the range of their work and give us insights into the process of their partnership.

Sally Ann Morris has composed upwards of 200 hymn tunes and congregational songs, many of which are found in multiple denominational hymnals in the United States, Canada, the UK, New Zealand, and Japan. Her musical styles range from classically traditional influences to lyric melodies, jazz, folk, and pop. Sally is a Life Member of The Hymn Society in the United States and Canada, and, in 2021, was named a Fellow of the Society, its highest honor. She lives in Winston-Salem, NC, and is Musician in Residence at the Wake Forest University School of Divinity where she leads, enlivens, encourages, demonstrates and teaches the diverse wealth of congregational song for chapel services.

Mary Louise (Mel) Bringle is a Professor of Philosophy and Religion and coordinator of interdisciplinary studies at Brevard College in Brevard, NC; she is also a ruling elder at Trinity Presbyterian Church in Hendersonville, NC. Her Ph.D. in practical and pastoral theology is from Emory University.  An award-winning hymn writer whose original texts and translations appear in the hymnals of numerous denominations in North America and Scotland, she has served as President of The Hymn Society in the US and Canada and as chair of the Presbyterian Committee on Congregational Song, responsible for creating the hymnal Glory to God.  In the summer of 2020, she was named a Fellow of the Hymn Society.

Mel and Sally’s music played for this episode is published by GIA Publications and is used by permission.

The intro and outro music for this episode is from a clip of a song called ‘Father Let Your Kingdom Come’ which is found on The Porter’s Gate Worship Project Work Songs album and is used by permission by The Porter’s Gate Worship Project.


Rabbi Joseph A. Edelheit Interview Peacebuilding 8 PGE 63



Peacebuilding, social justice, and bridge building all overlap and interweave. My guest for this episode exemplifies the desire and quest for all three of these.

The Rabbi Dr. Joseph A. Edelheit has been a long-time activist in interfaith dialogue. He is Emeritus Professor of Religious and Jewish Studies at St. Cloud State University (St. Cloud, Minnesota) where he initiated and facilitated the transition of a Religious Studies program from a minor in the Philosophy Department to an independent college level program in the College of Liberal Arts, and worked in the surrounding communities on issues of anti-Semitism and interfaith dialogue. In addition to teaching for over 25 years in university settings, Rabbi Edelheit served over 45 in the rabbinate, serving Reform Jewish congregations in Michigan City, Chicago, and Minneapolis. He is currently volunteering in Jewish communities in Brazil.

Rabbi Edelheit served on the Clinton administration’s Presidential Advisory Council on HIV/AIDS (1995-2000) and also initiated and directed a non-governmental organization, Living India, for almost a decade, providing HIV/AIDS care to orphans in India.

Rabbi Edelheit is coeditor of and contributor to Reading Scripture with Paul Ricoeur and is the author of What Am I Missing: Questions on Being Human.

Rabbi Edelheit is the 2021 University of Chicago Divinity School Alumnus of the Year.

The intro and outro music for this episode is from a clip of a song called ‘Father Let Your Kingdom Come’ which is found on The Porter’s Gate Worship Project Work Songs album and is used by permission by The Porter’s Gate Worship Project.